Jam Delay Llama MK2 *Free Shipping in the USA*
part of your sound adding warmth and depth through organic repeats which
seamlessly integrate into your playing, courtesy of its BBD chips,
faithful reproductions of the Panasonic MN3205.
Its straight forward traditional 3-knob layout is addressed to delay
users who are looking to elegantly enhance their hard-earned tone,
similarly to how a tape-echo machine would.
The Delay Llama can also be used with bass guitars.
Maximum delay time: 600 ms
*The Delay Llma features soft-click (relay) switching.
ARTISTS USING THE DELAY LLAMA:
Bill Frisell, Marc Ribot, John Abercrombie, Nels Cline, Kurt
Rosenwinkel, Daniel Lanois, David Hidalgo, Cesar Rosas, Jim Campilongo,
Dweezil Zappa, Alex Skolnick, Jonny Lang, Greg Koch, Kenny Wayne
Shepherd, Steve Lukather, Adrian Legg, Guy Pratt, Christian Fennesz,
Bernie Marsden, James Sedwards, Kirk Fletcher
ARTISTS QUOTES:
“...it’s the quality of the sound that will beat any digital delay!” Vintage Guitar magazine
“I used the Delay Llama on this last tour, and not only to
produce vintage sounding slap backs ! Also: light and durable: important
for me!” Marc Ribot
“I quickly dialed up a Rockabilly slap back that sounded very
organic – very similar like my old tape Echoplex (without the squeaking
analog tape!). Usually getting a slap back echo is tricky, especially on
my Line 6, but because of the 3 knob design, I quickly got the setting.
And it’s the best I’ve ever heard. I proceeded to getting some deep
space sounds easily too. My girlfriend can borrow my Line 6, I’m
converting to Delay Llama!” Jim Campilongo
“Around 1980 many of us got into bucket brigade delays, little
analog echo boxes. They were a lot less trouble than tape and disc
echos. I loved them and the sound imprinted in my mind. Then digital
arrived, and as we played with the magical bells and whistles, we slowly
noticed that it didn’t always feel right. In 2010 I plugged into the
bucket brigade Delay Llama and thirty years fell away. I’m home. It
feels good!” Adrian Legg
"It's so musical and warm!" Kirk Fletcher